Tony Amatullo, a veteran film producer, location manager and former Warner Bros. production executive whose work stretched from Fame to 2 Days in the Valley, has died at 76.

Amatullo built a career in the parts of Hollywood that audiences rarely see but every production relies on. Reports identify him as a producer on 2 Days in the Valley and a location manager on The Goonies, while his broader credits also included Fame, The Color Purple and The West Wing. That mix of studio work and on-the-ground production made him part of a generation that connected executive decision-making with the daily mechanics of getting a project made.

Tony Amatullo’s career traced the hidden architecture of Hollywood, from studio offices to the streets and sets where productions come alive.

Key Facts

  • Tony Amatullo died at age 76.
  • He produced 2 Days in the Valley.
  • He worked as a location manager on The Goonies.
  • His career also included credits on Fame, The Color Purple and The West Wing.

His résumé also points to a wider influence inside the industry. As a onetime Warner Bros. production executive, Amatullo moved through one of the business’s most critical lanes: the space where creative ambition meets budget, logistics and timing. People in those roles often leave a quieter legacy, but they help determine which projects move forward and how smoothly they reach the screen.

That matters because Amatullo’s credits cut across eras and formats. The films and series linked to his career span youth adventure, drama and prestige television, suggesting a professional trusted to solve practical problems across very different productions. Sources suggest that kind of range helped make him a durable figure in an industry that rewards flexibility as much as taste.

What comes next is less about a single project than the way Hollywood remembers the people who make stories possible without standing in the spotlight. Amatullo’s death invites a fresh look at the producers, managers and executives who shape beloved titles from behind the camera. For an industry built on collaboration, that legacy matters as much as any marquee credit.