Concourse Media Takes ‘Maybe We Should’ to Cannes Market

Concourse Media has snapped up worldwide rights to Maybe We Should and plans to bring the completed ensemble feature straight into the glare of the Cannes Film Market.

The deal gives Concourse a fresh title to pitch at one of the global film business’s most important trading floors, where acquisitions can quickly shape a movie’s international path. Reports indicate the company will present the film to buyers in Cannes, signaling confidence that the package — and the cast — can break through in a crowded marketplace.

Maybe We Should arrives with a lineup built to catch attention: Heather Graham, Jeremy John Wells, Lil Rel Howery, Kevin Nealon, Matt Walsh, and Bonnie Bedelia. That mix gives the film recognizable appeal across comedy and drama audiences, and it gives sellers a clear hook as they court distributors looking for star-driven independent features.

Concourse isn’t just acquiring a film — it’s staging a market test in Cannes, where cast, timing, and buyer appetite can turn a quiet title into a global sale.

The timing matters. Cannes remains a high-pressure proving ground where films do more than premiere — they compete for distribution, attention, and momentum. For Concourse, bringing a finished film to buyers can sharpen the sales pitch. Buyers do not have to imagine what the movie might become; they can judge what it already is, and that can speed decisions in a cautious market.

What happens next will determine whether Maybe We Should emerges from Cannes as a modest catalog pickup or a wider international play. If buyer response matches the confidence behind the acquisition, the film could secure key territory sales and build early release momentum. In a film market that rewards clarity and recognizable talent, this Cannes push will show whether Concourse has found a title with real reach.